Daša Marie Geiger (b. 1989, Germany) is an audio-visual artist and photographer currently based in the Ruhrarea in Germany and Valencia, Spain.
She obtained her bachelor's degree in Cultural and Media Education in 2018 and completed her master's degree in Media Art and Design at the Bauhaus-Universität Weimar in 2024, where she was a student of Anne Schönharting (Ostkreuz Agentur Berlin) and Birgit Wudtke. In 2021, she participated in a study abroad program in Visual Arts and Multimedia at Universitat Politècnica in Valencia.
Since 2020, she is working as a freelance artist and collaborated with various art and cultural institutions, as well as several international galleries. Her work has been exhibited in several countries, including Brazil, Chile, Germany, and Spain.
She obtained her bachelor's degree in Cultural and Media Education in 2018 and completed her master's degree in Media Art and Design at the Bauhaus-Universität Weimar in 2024, where she was a student of Anne Schönharting (Ostkreuz Agentur Berlin) and Birgit Wudtke. In 2021, she participated in a study abroad program in Visual Arts and Multimedia at Universitat Politècnica in Valencia.
Since 2020, she is working as a freelance artist and collaborated with various art and cultural institutions, as well as several international galleries. Her work has been exhibited in several countries, including Brazil, Chile, Germany, and Spain.
ABOUT MY WORK
My photographic practice is a visual exploration of the subtle interactions between people and space. I am fascinated by how we shape spaces through our presence and actions - and at the same time are shaped by them. This quiet dialog, which often goes unnoticed, is an invitation for me to take a closer look.
I look for the extraordinary in the everyday, the stories that lie beneath the surface of apparent banality. My work questions how we as individuals and as a society experience and shape our environment. I am not only interested in the obvious, but also in what only becomes visible when you stop and observe - moments that are both personal and universal.
Technically, I consciously move between digital and analog photography. While digital precision allows me to bring clarity and structure to my visual language, analog offers me the opportunity to create an organic, tangible depth. This duality also reflects the core of my work: the balance between control and spontaneity, between the planned and the discovered.
For me, photography is less a medium of documentation than a tool of understanding. With each series, I invite viewers to engage with the subtleties of our world, the idiosyncrasies of relationships, the texture of places, the invisible ties that shape our lives. My paintings do not aim to explain everything, but to create a space in which questions can be asked and connections discovered.
I look for the extraordinary in the everyday, the stories that lie beneath the surface of apparent banality. My work questions how we as individuals and as a society experience and shape our environment. I am not only interested in the obvious, but also in what only becomes visible when you stop and observe - moments that are both personal and universal.
Technically, I consciously move between digital and analog photography. While digital precision allows me to bring clarity and structure to my visual language, analog offers me the opportunity to create an organic, tangible depth. This duality also reflects the core of my work: the balance between control and spontaneity, between the planned and the discovered.
For me, photography is less a medium of documentation than a tool of understanding. With each series, I invite viewers to engage with the subtleties of our world, the idiosyncrasies of relationships, the texture of places, the invisible ties that shape our lives. My paintings do not aim to explain everything, but to create a space in which questions can be asked and connections discovered.